Norseman is deep into rehearsals for Sound of Music, Cash on Delivery and See How They Run are both open (got a great costuming mention in the Column review today!), and we're still not as busy as we were during Carol rehearsals.
Now that Cash is underway, of course I'm looking ahead to what's next. Dirty Rotten Scoundrels auditions aren't until mid-March, which is kind of an eternity away when you have nothing in the wings until then.
I'd initially figured I wouldn't audition for [title of show] because only two of the four roles are female, and with only four roles, all roles are major roles. I figured there was nothing in the show for me; that I really had no chance of getting cast, so why bother, right?
Then I did a show at another theatre. In Cash on Delivery, I'm working with a whole group of very seasoned actors, many of whom actually make, or have made, their living doing this--cruise ships, ballet companies, theatre directors and teachers, with more than a hundred years combined experience--who don't know where I've been other than what's in my bio. They see where I AM NOW, what I put on the stage NOW. And they utterly respect me and the talent I bring to the show. I can more than hold my own among these pro and semi-pro actors.
And then I listened to the cast recording--I mean truly listened. To the lyrics and the characters who sing them. The whole show is so FUN! Plaza is doing the Apropos version, so it'll be somewhat different, but still: FUN! One character in particular stood out, though, and I went, "Hey! That's almost me!"
So I'm auditioning. I know I'm capable. And if by chance I can convince the director I'm capable and right for the role, that the baggage of what I could do ten shows ago has no bearing on what I can do now, I'll have a kick-ass time on this show.
If not, the audition will be valuable experience, and I'll look forward to my Dirty Rotten Scoundrels audition, with perhaps another Granbury audition before then.
Here's a pic of our awesome Cash on Delivery cast!
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